I really liked the vibe I caught so I tracked this audio live on to a mono channel in Cubase. I played a super simple line, just gliding up and down an octave, from a low D, up an octave and back again. The initial preset had a very short/fast portamento setting. “Having created the initial sound in the Moog, I started to experiment playing over a break I had rolling. ![]() I then used the Overdrive feature to add more depth of harmonics to the sound before rolling back the cutoff even more. The overall tone and feel of the patch sounded really fat and warm the less of the midrange I left in, so I just went for a ‘less is more’ vibe. I know from past experience that our studio sounds particularly weighty in D, so I started experimenting, playing with the filter cutoff, rolling it off so the ‘bite’ of the sound was barely audible. One day I was skipping through presets and found a bass patch that really resonated in our studio. My studio partner had bought a Moog Little Phatty mono synth, which he’d recommend I experiment with. “After years of never being very happy with the low end in the tunes that I’d been making using software digital synths, I decided to try and experiment with creating the fundamental using a purely analog source. Check the beats, lock in your own copy here, then check Sustance breaking it all down in his own words after the jump in an eye-opening and exclusive insight into his production process. Centered on stripped down grooves and straight-up sick basslines throughout, we thought we’d geek out a little with the man in the studio and have him hit us with an in-depth guide and discussion and of how he crafted the bassline breakdown on one of ours (and Noisia’s) favorite tunes off the EP. His most recent four-track, The Allow (It) EP for the always essential Dispatch LTD imprint, features the engineer-turned-producer in top form as each of the four tracks drop jaws with their crisp production and sonic prowess. With Prolix immediately snatching up two singles for his Trendkill Records imprint, followed by a signing to Noisia’s Invisible Recordings, the tech-driven cuts he’s capable of crafting continue to impress as heads ranging from Alix Perez to Icicle and Rockwell have pledged their allegiance to the Sustance sound. This makes mono audio sound wide and spacious while preserving the original tone and spectrum transparently.Hailing from East London and having worked for over a decade as an in-house engineer and producer in “commercial and grime studios,” it wasn’t until the past few years that Oscar Harding stepped out from behind the mixing desk and decided to put his own creative flex to work under the name Sustance. You select any number from one to four bands, each with its own separate Haas delay setting and adjustable crossover frequencies. This multi-band Haas effect plugin is a simple way to get the stereo width you need in the midrange frequencies without loosing the impact of the bass or making the treble sound phasey. ![]() Second, it can sound a bit artificial at high frequencies. First, it can create phase cancellation problems in the bass frequencies, causing them to loose volume. ![]() It is the most simple and effective way to take a mono input and make it sound like stereo. This simple effect creates a realistic and natural-sounding increase in the width of the stereo field that still sounds good when mixed back to mono. Haas effect is a micro-delay applied to either the left or right channel of audio (but not both). App Store Multiband Haas Effect Mani Consulting Limited Company
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